Tomorrow’s Authors – Aravind Pradhyumnan

Continuing the series of Tomorrow’s Authors, in which I hand over to guest bloggers, the next generation of fantasy writers. These writers are as yet unpublished, but working hard to bring their own version of this great genre to a reading audience. Today our blogger is Aravind Pradhyumnan.

___________________________________________________________________

27394194_10213550764036062_1198532086_n

Recently, I joined a support group for Fantasy writers. It is heart-warming to find there are entire communities of people who want to help their fellow novice writers. I am a Masters student pursuing Aerospace Engineering far from home, and I took to writing as a hobby. Soon, my penchant for the craft turned the hobby into a fierce passion and helped me get back from a dark place. This I did by creating a fantasy world of my own. If not for the incredible support and advice from fellow writers, I may never have turned my outlines into the first draft of my manuscript. On that note, thank you, Russell, for giving me a rub.

 
I would like to say I am the next phenomenon sweeping through the Fantasy genre, and the household name of the next decade. But my name is hard to pronounce, and I am but an aspiring author.

 
But that’s enough about me, let me tell you about my work-in-progress, which has the working title Black Rose Bloodmage.

 
I do not have a cover art or any illustration to give a taste of my work yet. But I do have a song by Opeth in mind that captures the brutal beauty of world I’ve imagined. Listen to it reader and hear what I hear, see what I see. Opeth: “Bleak”.

 
Adrya is a country with a bloody history. Due to the nature of magic, there was tremendous bloodshed and the world saw the decline of powerful creatures that roamed the wild. Men killed one another. This was characteristic of the Magethic Era.

 
However, an ambitious man, Adrian, took the crown along with a coterie of powerful mages at the time, and heralded in the New Era. The country grew more stable as all unaffiliated mages were systematically eradicated. Prosperity was ushered into the years that followed under the rule of the immortal King. However, Enthaumy – the magic system, became forbidden knowledge and was henceforth only shared among a few members of the peacekeeping Justiciary.

 
By the year NE 88, a rogue mage, Gathvel has risen to the upper echelons of the Black Rose Guild. He remains in hiding both from the Crown, as well as his own past. But his life changes when he adopts a nine-year-old girl. After a botched assassination mission, Norman, an Inspector of the Justiciary catches Gathvel’s scent.

 
The first book of a hopeful trilogy deals with this hunt – who will emerge from this ordeal alive? I aim to explore themes of friendship, bonds, and how even men set in their ways can change.

How this project came to be:
Originally I set out to create a magic system that seemed realistic and had a tangible, measurable cost, with world-changing ramifications. I used my Engineering education to help legitimise the workings of the magic system I came to call Anthaumy. As it grew and developed in front of my eyes, they branched into rather specific fields of “science” of Enthaumy and Alchemy.

 
Along with the Second Law of Thermodynamics, the Second Law of Anmodynamics came to be revered in Adrya. Mages were scholars after all. The law states that the Antopy of Miridian always increases, but its saturation remains infinite. I understand this sounds like gibberish, but the book will ensure it makes sense.

 
So as you can see, I spent the bulk of my time creating the magic system and it led me to create a world for it to exist. Over the course of a year, I had created a country with a rich culture and history, a functioning economy, and quirks specific to this world.
My first attempt at creating a plot set in this world however, was a travesty as terrible as the events of the Magethic Era. It was a piss-poor story, that incorporated all elements of the world I created, but the plot itself held no water. I was disappointed, and all but abandoned the project.

 
Enter Brandon Sanderson. Figuratively speaking. The man has lectures on creative writing that breathed a new life into the fading embers of the passion for my tales set in Adrya. In a matter of weeks I had characters and conflicts that produced elements of the plot I described. I streamlined the magic system and the cut out elements of the world that I felt were unnecessary.

 
I found that I was a heavy outliner and in few more months, I managed to create a solid outline to base my manuscript on. With more advice and encouragement from fellow writers, I finally set pen to paper. Now I am 9000 words into my first draft, and I just wrote my first fight scene. Enthaumy was finally on paper and it read better than I hoped. I know exactly where the book is headed and by my ambitious estimate, I should have a completed first draft by March.

The struggles along the way:
Time has proven to be my best friend, as well as my worst enemy. Writing can seem like a chore sometime and there always may seem like something else is just a little more pressing. Getting past that resistance to start typing into the laptop has been the biggest hurdle I personally face.

 
But this is where the support groups on Facebook help. Good people are all around and they provide motivation to resume writing, whether they realise it or not. And once I’ve entered that headspace, it becomes easier to write and harder to stop.

 
Other times, I’m convinced what I’m writing is digital dogshit, but then accomplished authors tell us that is normal and even they feel similarly at times. When you’re in agreement with Joe Abercrombie, it is likely that you may be on the right track. This hasn’t been a debilitating struggle for me though and I’m confident to a degree that my writing isn’t all that terrible. And hey, that’s not so dreadful, right?

My influences:
It’s hard to point to an author as an influence. I think I just read the right books at the right time which encouraged me to develop my own magic system. These were the popular debut works of authors from the last decade – Pat Rothfus, Scott Lynch, and Lord Grimdark himself, Joe Abercrombie.

 
I like to think I have learnt from each of these authors, and I might have to actually build a shrine for Brandon Sanderson. What I’m writing may be considered Dark/Hard Fantasy and I certainly will not be pursuing my passion if not for these authors.

Fantasy – Its importance and what it means to me:
The human mind is fascinating. We can see with our eyes closed. We can see even without them, in fact. With our mind’s eyes we see into the past and more importantly, into the future. I heard a psychologist lecture that it was this ability to peer into the future that made us the intelligent species that we are today.

 
But this also opened other doors for our mind’s eye. We can look at things that aren’t, we can see things that could be, and we can even see things that couldn’t be. Our mind can create entire worlds where we are gods. We take literary fiction above and beyond its limits, and this is why Fantasy and Science Fiction are here to stay.

 
We humans started out as hunter-gatherers. Adventure and exploration is a part of us. So no wonder we as readers and writers want to explore new worlds and possibilities, and there are few things comparable to being immersed into a fantastic world. People say fantasy is a means to escape reality– yes, that can be the case. But to me it is a means to explore beyond reality.

 
As a reader, this is what I want. As an author, I hope to provide others the same. And if you give me your time, I have a story to tell. Follow me on twitter at @pradhyumnan503.

– Aravind Pradhyumnan

 

The Eyes Have It

20170618_075517

I’ve off-line for a while, at least as far as my blog is concerned. This is because of a number of reasons, the most memorable of which, for me, was the eye surgery I had back in April.

I have suffered from glaucoma for years now. I even have congenitally deformed eyeballs, which hasn’t helped. They aren’t quite spherical, which causes focus problems. I’ve worn glasses since I was 17. In March this year my ophthalmologist suggested I have cataract surgery and at the same time get drainage stents inserted to deal with the glaucoma.

Yes, that is my right eye in the picture above. And yes, it is scary. That’s how my eyes look, and have looked for years now. The bloodshot effect is caused by the glaucoma medication. I’m on three different eye drops for that. I use them three times a day and will do so for at least another month until it can be determined if my stents are working properly. I will then, hopefully, be able to go of the medication and my eyes should return to normal.

As for the cataracts, they are gone and artificial lenses have been inserted. That was fun an experience.

The surgery consisted of two operations (one for each eye) two weeks apart. The old lenses, the ones I was born with, were destroyed using a sonic lance rather similar, I guess, to Dr Who’s sonic screwdriver, except that it had to be actually inserted into my eye to break up the lens. The bits were then sucked out by a vacuum pump (I’m not kidding here) that was also inserted into my eye. The new lens was then put in place and the stents inserted in the bottom of each eye in a part called the trebecular mesh.

Naturally, I was under anaesthetic during these operations, which only took about twenty minutes each. The first one was fine. Although the anaesthetics were the “twilight” kind (which means I remained conscious during the operation, not that I fell in love with a sparkly non-vampire) I have no memory of the first operation. The anaesthetist introduced himself and said he would knock me out completely for about five minutes during which he would insert a needle under my eye to deliver the rest of the knock-out drops that would numb my head. That was fine by me, since I had no desire to witness (at the closest possible quarters) that part of the proceedings. He inserted a catheter into my arm and the next thing I remember was waking up in recovery. I have to this day no memory of the operation itself, or even being wheeled into or out of the theatre. My doctor said later that I was fully conscious, said hello the surgical team and followed instructions well. But the actual operation itself (mercifully) is a complete blank. Such is the nature of twilight anaesthetic.

Not so for the second time around, the operation on my left eye. I woke up during that one.

Strictly speaking, I was “awake” the whole time. But I have a memory of the last few minutes. The last thing I remembered the anaesthetist delivered the initial drug, while we talked about Canada for some reason. Then I became aware of being on the operating table. I couldn’t see anything: my right eye was closed and my left, the one being operated on, “saw” some weird things. It was like looking at a white sheet of paper over which someone had smeared orange marmalade. I know that sound bizarre, but that’s what I saw. I became aware of things “moving” behind the whiteness. I suppose those were the instruments inserted in my eye at the time. I could hear the surgeon talking. He asked me to move my head slightly to the left, which I did.

I wanted to let them know I was awake, so I emitted a groan. While I felt no pain  at all, there was a definite feeling of discomfort which made me afraid that I would start to feel pain. I wanted them to know I could sense something going on, in case they didn’t know that and it wasn’t supposed to happen. I groaned a second time.

There came more voices, I felt myself being moved and then a voice asked me to step down. I climbed off the gurney as my vision came back and sat in the recovery room where a kind nurse gave me a cup of tea and sandwiches.

I’m glad the “awake” episode occurred on the second operation. Had it happened the first time, going back for the second operation would have been much harder psychologically.

So here I am now, awaiting laser surgery next month. This is remove some “thickening” around the lenses and tweak the final touches to my eyes.

I now need glasses for reading, which I didn’t before. I used to wear glasses to correct my short-sightedness and now don’t have to, although I do wear some very weak corrective lenses when I drive because my long vision still isn’t quite perfect, and never will be.

So that’s been my health issues in the last few months. Recovering from such surgery doesn’t take long, but there is an extended period while the vision settles down and, as I said, I still need laser surgery in July.

Certainly not something I wish to do again.

Russell Proctor

 

 

.

 

 

The Horror of Children’s Stories

_47412730_-1

This is repost from an earlier one. It’s still relevant though.

Picture this: a little girl has just thrown a bucket water over a Witch. What happens next is quite disturbing.

With these words the Witch fell down in a brown, melted shapeless mass and began to spread over the clean boards of the kitchen floor. Seeing that she had really melted away to nothing, Dorothy drew another bucket of water and threw it over the mess. She then swept it all out the door. After picking out the silver shoe, which was all that was left of the old woman, she cleaned and dried it with a cloth, and put it on her foot again.”

Now let’s get this straight… a little girl calmly melts an old woman, sweeps the gooey slime she has become out of the door like so much swill, and then calmly cleans her shoe like this sort of thing happened every day.

You might think the extract is taken from the latest gore-filled treat from Permuted Press, but it’s actually from L. Frank Baum’s children’s classic The Wonderful Wizard of Oz, published in 1900. A children’s book. Of course, if you are only familiar with the 1939 Judy Garland film, you may remember the witch-melting scene was a little more wholesome. Certainly in the movie Dorothy didn’t have to clean up the disgusting sewage of what used to be a human being like she was doing a simple household chore. And in the movie version Dorothy felt pretty upset about the whole thing as well, even though the witch was evil and had tried to kill her.

Take another story: Alice’s Adventures in Wonderland by Lewis Carroll. Now there are no violent scenes in that timeless classic, surely? Admittedly the Queen of Hearts threatens everyone with having their heads chopped off, but no one is unfortunate to actually have it done. But most of the violence of the Alice books is more subtle. According to Hugh Haughton in his introduction to the Penguin Classics edition of Carroll’s books (1998), there is an underlying theme of eating and being eaten in the book. The characters are in more danger of being consumed by other characters than anything the Queen of Hearts might threaten. Alice eats and drinks various substances and changes size; the baby oysters are consumed by the Walrus and the Carpenter; the Hatter is obsessed by tea and bread and butter. There is also, of course, more overt violence: the Duchess physically abuses her baby son, the March Hare and the Hatter try to drown the Dormouse in tea, and the terrifying Giant Crow threatens Alice in the forest.

It doesn’t end with those books. In Peter Pan by J.M Barrie, the fairy Tinker Bell is a right bitch. Her first act on seeing Wendy is to get Tootles to shoot her with an arrow in an attempt to kill her. He almost succeeds. Tootles is so distraught he asks Peter to kill him.

Now, the point is that these are probably not events most people recall when remembering these tales. But they are there in the original books.

There have, of course, been many criticisms of traditional fairy tales as being too violent. Cinderella, Little Red Riding Hood, Rapunzel and so forth contain considerable murder and mayhem. The difference between them and the more modern stories I’ve referred to is that these stories are folk tales, handed down over many years and added to, extended and changed over generations before being recorded by people like the Brothers Grimm. They were not written specifically for children. The adventures of Alice, Dorothy and Peter Pan were.

So what do we make if this? Are these stories in their original forms just too violent? I say “in their original forms” because each of those I mentioned has been “toned down” when made into films. Disney and Warner Brothers made a point of changing things so the stories were more wholesome for tender readers (or, in their case, viewers). Dorothy melts the Wicked Witch, but feels bad about it at least. Admittedly, modern versions of Alice (I refer specifically to the recent Tim Burton CGI extravaganza) may take liberties with the plot in which they do present a more dangerous version of Wonderland than the Disney version. But this is a modern trend, I submit, and I’ll mention it again later.

My point is (and I’ve taken a while making it) is that there is a wealth of trauma available to writers in children’s tales. Quite often where you wouldn’t expect it. In The Wind in the Willows by Kenneth Grahame, Toad not only steals a motor vehicle, he is actually in involved in numerous car accidents and is thrown in prison as a result. And I’m sure most of us remember the Narnia series by C. S Lewis, which tells of children not only fighting in wars but killing their adversaries with barely a nod at any feelings of guilt afterwards.

Writers might well find ideas in these tales. And that’s a good thing. While I’m not condoning the exposure of children to violence, death and horror, it certainly can entertain the adult reader and inspire the adult writer.

Back when these stories were written, I submit the world was a more violent place. There was no such thing as being an adolescent. One went from the caterpillar stage of childhood to the butterfly stage of adulthood without any inconvenient chrysalis stage of adolescence in between. People grew up earlier. Children’s books were violent because life was violent. It still is these days, but we don’t like to admit it and try to protect our children from its excesses. An example of this is the scene in Alice’s Adventures in Wonderland where the Duchess throws her baby boy to Alice (who only just manages to catch him) after singing a song about how beating a child was a justifiable punishment for it sneezing. This would hardly have raised an eyebrow back in 1865. Children were beaten. The world was perhaps no better or worse than it is today, but violence was condoned more and seen as an acceptable solution to social and domestic problems. Carroll was using violence as nonsense, and perhaps as a comment on the philosophy of child-rearing at the time: the air in the Duchess’s house was full of pepper, the baby sneezed as a result, and so the Duchess beat him. Problem solved.

We would not condone such a practice today, even as nonsense, which is why this incident has not, my knowledge, been incorporated into any film adaptations of Alice so far ( I don’t include the Burton film there, as it is so far removed from the original story as to be a separate entity).

Burton’s film does, however, seek to make an adult vision of Wonderland (with a bit of Looking-Glass Land added into it). And that is how the horror of children’s stories can be used to good effect. Tales like Frank Beddor’s The Looking-Glass Wars is a classic use of a classic to create something new and insightful.

So horror is there in children’s stories. If you sit and read the originals and wonder why they all seem so different to what you thought they were about, or what you remembered when you read them as a kid, then I hope you can take a whole new delight in these children’s stories for grown-ups. And, as a writer, that they inspire you in your own tales of horror and fantasy.

Road Beasts

217535-brisbane-traffic

I stand on the corner and watch the

Cars rush by.

 The drivers, in cocoons of metal and glass,

Windows up, the world shut out,

Air conditioning on, radio LOUD,

Listening to the drive-time DJ

Serve his daily dose of stereo bubble-gum.

 Where are they going, these car junkies?

What is so important

They risk their lives to bet there?

 See the drivers:

A man, his face set in anger,

Huddles over his steering-wheel

Like he has to hold it on,

Fumes the traffic is too slow,

Mouths his frustration:

“For God’s sake hurry up!”

To the other drivers, who cannot hear.

 A woman, her back-seat driving child

Swaddled in safety harness, safety seat,

Safety-nappy, dummy,

Thumbs a text message on her phone

As the car inches forward at the lights

Like her child’s life was merely incidental.

 A young man, out to impress,

His penis-exhaust throbbing,

One arm propped out the window,

The other reluctantly, insolently,

Resting lightly on the steering-wheel,

A cigarette set in the corner of his mouth

At just the right angle to make the girls notice.

 Road beasts, the cars, pass by,

Spewing, roaring, rushing, purring like cats,

Chugging, crawling,

Deep-chested booms and stutters,

Carrying cargoes of the helpless.

 What would we do without them?

No way to get from here to our next bit

Of mindless triviality.

 I stand on the corner and watch the cars rush by,

And I wonder to myself

Oh, why? Why? Why?

 

Russell Proctor  http://www.russellproctor.com

 

Is 2016 over yet?

It’s been quite a year for me.

In January my mother died. Diagnosed with kidney cancer in December last year, she was given four to six months to live. She refused any treatment — at 88 years old, she figured enough was enough. Besides, her brain had given way to Alzheimer’s disease and she knew she didn’t have long to go before she wasn’t herself anymore. So she was happy enough to go. It only took a month from the diagnosis before she passed away in hospital.

GetAttachment

After that life became different. I grieved for my mother, obviously, but the truth also struck me that I was now an orphan. And since I’d spent the previous five years as Mum’s carer and working part-time, the loss of her struck rather hard. Despite all my care and attention, looking after her as her brain died from the Alzheimer’s, she still didn’t make it. I continued to live in her apartment, and still do, since it came to me under her will.

But life wasn’t the same. Not just the loss of my mother, but just about everything else as well. Although I am now “my own man”, as some people have commented, I am still surrounded by Mum’s furniture, possessions and memories. Being my own man, no longer responsible for her basically 24 hours a day, has taken some getting used to.

Then there were other things. My workload (I’m a tutor and help schoolkids with their studies after hours) dropped off. One of my major employers halved my working hours–their right to do so, but it still made inroads into my income. And I didn’t feel much like working anyway. I kept saying to myself, and others, “I just need to get my head together”. I’ve been getting my head together for ten months now. Next year, I have promised myself, I will get back to serious work.

It’s been a weird year writing, too. After having three novels and six short stories published in 2015, this year’s haul is one self-published novel and one short story. That may sound a lot by some people’s standards, but my publisher dumped me this year as well, which is why the one novel was self-published. This didn’t make me feel good at the time. It still doesn’t.

And then last month I almost caused a serious motor vehicle accident. My fault entirely.

The thing that really sent me downhill just a short time ago was Trump winning the US election. I’m Australian, but who the US President is matters to the rest of the world, and Trump’s denial of climate change is a serious issue.

So I took a couple of weeks away from everything. No news. No social media. No conversations with people about anything remotely controversial. I dug out some storage cartons which held some of my old books. I hadn’t seen these in six years since I’d moved in with Mum. I found a lot of old friends among the books and decided to take a couple of weeks off reading, writing, working and ignoring the rest of the world.

That’s where I am now. I put myself down for the National Novel Writing Month again this year (NaNoWriMo) and haven’t kept up with it. I don’t see the need to turn my latest book into some sort of internalised competition. It will arrive in due course when it’s supposed to.

So here I am, just me and the cat and my laptop, and hoping that the year will finish up as soon as possible and I can maybe see something better next year.

To all who have wished me the best, thank you. To all you I have perhaps let down a little, maybe broken a promise or something, I apologise. I’ve been a very angry person for a long while now. My mother’s deteriorating health was one cause of that. My own stubborn character is another. I’m trying to be a nicer person.

Russell Proctor    http://www.russellproctor.com

 

An Apology and a Warning

I almost caused a traffic accident yesterday.

My fault entirely. I did a lane change without checking or signalling and a man in a 4WD behind me had to slam on his brakes so much they squealed. I have no idea how close we came to colliding. He pulled up beside me at the next set of lights and quite rightly abused me for the total idiot I was.

To him, and to any other drivers in the vicinity who may have been alarmed or also had to take evasive action, I deeply apologise. It must have been very scary for the guy in the 4WD. Had we collided the total blame would have been mine. He saved both of us.

Why I did it was simply because I didn’t think. Through a single moment of impatience I put someone else’s life at risk.

I find lately that driving is becoming more and more stressful for me. Perhaps I should give it away, although that will have repercussions for work having to use public transport. It’s not just a “go to work and come home at the end of the day” thing for what I do.

But I get impatient when driving. I need to curb that, to consider others more. I must do that or cause a major accident sometime.

That was the apology. But there are some things, not related to driving, that I will not curb my impatience about, and certainly won’t apologise for.

There are things that make me mad about the way some people act. And if this sounds hypocritical, given my episode in the car yesterday, then that’s what it is. I don’t care. Being hypocritical does not make me wrong.

One of the major things about people that gets me mad is ignorance. Let’s face it, we have the capacity these days to find out more stuff about stuff than ever before. And some people choose not to. They blindly go on wallowing in ignorance for some reason, choosing to believe something simply because they want to, in the face of all facts to the contrary.

Another thing is pretension. I hate it. Some people spend all the time thinking the universe revolves around them, that they must be the centre of attention at all times, that they are one of “the beautiful people” and we must worship them. My cat does that. But then he’s a cat, he doesn’t know any better (and he’s cute as a button, which makes up for it). People should know better.

humpy

Other things: The selfish rich. “Trickle-down economics”. Conspiracy theorists. Braggarts. People who are cruel to animals or children. People who insist their way is the only way. People who know you are behind them on the escalator wanting to get through and refuse to move aside.

All of these and more.

My sociophobia doesn’t help. I hate being in a crowd. I’ve been known to choose not to do the shopping because there would be too many people in the supermarket. I hate waiting in a queue. I walk quickly, and have done so ever since I was a hurried (and harried) articled clerk for a law firm and had to move around the city in very quick time. I walk faster than most people. That makes walking along a crowded street a frustrating experience.

I know some of this is my fault. But here is the warning part of this post: those things that aren’t my fault I will continue to get mad about, continue to criticise, continue to harp on. They deserve my ire.

So I apologise for those things that are my fault. Even if I don’t know they are.

But the other stuff, not so.

 

Russell Proctor   www.russellproctor.com

 

 

The Past and the Present

boromir

Ok, so here’s a revelation: unlike every other language in the world, the English language has only  two tense forms. Past and present.

An example of past tense: The girl walked to the shop.

An example of present tense: The girl walks to the shop.

Simple, no? But wait, you say, what about all those other tenses that put fine shades of meaning to our deathless prose? Future? Conditional? Surely they are there, I’ve used them myself!

Yes, they are, but they use the past and present forms. English expresses the other tenses by the use of auxiliary verbs. So the future tense is formed by adding the auxiliary verb will to the present tense.  She will walk to the shop.

There are arguably (and that’s one of the things I love about the English language, that people can actually argue about the grammar of it) eighteen English tenses:

  1. Present simple. She walks.
  2. Present continuous. She is walking.
  3. Past simple. She walked.
  4. Past continuous. She was walking.
  5. Present perfect simple. She has walked.
  6. Present perfect continuous. She has been walking.
  7. Past perfect simple. She had walked.
  8. Past perfect continuous. She had been walking.
  9. Future simple. She will walk.
  10. Future continuous. She will be walking.
  11. Future perfect simple. She will have walked.
  12. Future perfect continuous. She will have been walking.
  13. Conditional simple. She could/would  walk.
  14. Conditional continuous. She could/would be walking.
  15. Conditional perfect simple. She could/would have walked.
  16. Conditional perfect continuous. She could/would have been walking.
  17. Imperative. Walk!
  18. Infinitive. To walk is a pleasant activity.

Notice something? All of the tenses are based on just two forms of the verb. Walk and walked. With a host of auxiliary verbs such as has, have, been, will, be, could, etc these two forms create all the other tenses.

“Ah!” I hear you say, “but there is a third tense form in that list. The  -ing form.”

Well, yes, there is. But actually, no, there isn’t. Walked is the past tense, but walking is…well, what is it?

The  – ing form is the present participle. English has two tenses and two participles. With a regular verb, like walk, the past tense is formed by adding -ed. Walked. But with an irregular verb, like sing, things get more complicated.

Walk (Regular verb)

Present tense: Walk (I walk)

Past tense: Walked (Yesterday I walked)

Present participle: Walking (I am walking)

Past participle: Walked (I had walked)

Sing (Irregular verb)

Present tense: Sing (I sing)

Past tense: Sang (Yesterday I sang)

Present participle: Singing ( I am singing)

Past participle: Sung (I had sung)

So we use the auxiliary verbs with the participles. Of course, with regular verbs the past participle is the same as the past tense. But not with the irregular verbs. And there are many  irregular verbs in English.

So, you know all this. Or at least, you do because you get the tenses right every day, you just don’t know the grammatical mechanics behind it all. So what’s my point?

For some reason, some writers want to write in the present tense.

Why? This tendency seems particularly endemic to YA and teen writing. But it has crept (creeps/is creeping/has been creeping/will have crept…another beautifully irregular verb) into other demographics as well.

It’s actually harder to write in the present tense than in the past. So why do it? To make the action more immediate, I hear some writers say. How is it more immediate? I just don’t get it.

Call me old-fashioned if you will, but present tense writing smacks of pretension in my opinion, except when used for specific effect. For instance, I’ve used present tense to describe a dream sequence. It is also used in dialogue. A lot of dialogue is in present tense except during recount.

But it’s worse than just my opinion. As a teacher I’ve noticed that many students today think that you are supposed to write in the present tense. Or, even worse, they get confused and start writing in the past tense, switch to the present and then back again. Even the other tenses get mixed up because kids these days see present and past tense writing used so randomly.

So stop it guys! Use it for special effect, like a dream sequence, but not otherwise. I know, Charlotte Bronte slips into present tense occasionally in Jane Eyre, and then back to past, but she was Charlotte Bronte.

Russell Proctor  http://www.russellproctor.com

 

 

 

 

 

 

 

 

The Greatest Sin of All

The world has never been easy. Let’s face it, there’s a lot out there that’s downright dangerous,  misunderstood and unknown. Even walking to the bus stop can get you killed these days. Terrorism, poverty, global warming, pollution…Homo sapiens has done a pretty good job screwing up a planet that had been just great for billions of years. And we’ve only been doing it since the last few thousand years, since we stopped being hunters and gatherers and settled down into communities.

And there are many reasons why we’ve done that. Not settled down, I mean screwed up the planet. But there is one thing that drives the destructive gene in human beings, that is the seed, as it were, for all the other stupidity we’ve managed to pull off since we climbed down from the trees and decided walking on two legs was a good idea (which it wasn’t).

I’m talking about ignorance.

You know what that is. We’ve all been guilty of it. Hell, I’ve managed to look pretty dumb on the odd occasion. But by ignorance I don’t mean just not knowing something. I mean deliberately deciding not to know something.

There are four types of ignorance. I mention these in my novel Plato’s Cave, but here they are again:

(1)   What we know we don’t know. For example, we know that we don’t know if there is life on other planets.

(2)   What we don’t know we don’t know. Until we know about it, we can’t actually know that we don’t know something.

(3)   What we think we know, but don’t. Maybe apples don’t really grow on trees, it just looks that way. We’ve been fooling ourselves with appearances.

(4)   What we don’t think we know, but do. Maybe we already possess the key to time travel. We just haven’t realised it yet.

Those types of ignorance are fine because they allow the possibility that our ignorance will one day be lifted. If we keep asking enough of the right sort of questions and keep looking for the answers in a practical way, there’s a chance our ignorance will change to knowledge. In other words, the four types of ignorance listed above are scientific. Used properly, they have the ability to lead a sufficiently curious anthropoid ape towards the truth.

But there is another type of ignorance that actually lies beneath these four. And that is the type I’m calling the greatest sin of all.

(5) What we choose not to know.

For many reasons, there are people who deliberately decide not to know about something. The knowledge they eschew might conflict with their own personal beliefs. If they accepted the truth, it would contradict what they choose to believe, and that keeps them ignorant. Or, they might think that discovering the truth is too much like hard work. Or it requires them to associate with people they don’t wish to acknowledge. There are many reasons. None of them are legitimate.

This is what makes that type of ignorance a sin.

A few examples:

  1.  Homophobes choose to be ignorant about why people are LGBT. They think there is a choice in the matter, that gay people somehow, at some point in their lives, choose to be gay. The homophobes don’t want to know that gay people are gay because they are gay. They were born that way. Maybe homophobes object on religious grounds. Maybe they think gay people have some kind of hidden plan to steal children because they can’t have their own. Or that there is some kind of  “gay agenda”. (If there is I missed the memo). All poppycock of course. It’s worth remembering that the word “homophobe” means “fear of man”. That’s what their hatred stems from. Fear. Not knowledge.
  2. Literature.  Love it or hate it, it’s still a necessary part of our lives. I am a teacher and when I teach poetry I tell my students that there are only two types of people who read poetry: other poets, and students who are forced to read it by their teachers. That’s not true, of course, but it breaks the ice. I then tell them that the reason people don’t like reading poetry is because it forces them to think. And who wants to do that? Then I ask them what pop songs they like and get some responses. Their interest in poetry usually shifts after I explain to them that songs are just poetry set to music. They already like poetry, they just weren’t aware of it (see types of ignorance number 4 above). So too with other types of literature. Reading helps relieve ignorance. But some people choose not to read because it interferes with their decision not to think about things, or it’s too much hard work.
  3. Global warming. Most people accept global warming. A few don’t. A dangerous few. They have chosen to be ignorant for commercial reasons. Because the fact of global warming interferes with their desire to make enormous wads of cash they refuse to accept the truth. These people unfortunately have the capacity to influence politicians who decide to accept their dangerous disbelief because it keeps them in power.

There are many other examples. War. Religion. Conspiracy theories. World hunger. Terrorism. Astrology. All of these stem, ultimately, from deliberate ignorance.

That’s why I became a teacher. I help take some of the ignorance away from the world. Sometimes I despair when I go on the internet and find someone touting homeopathy, or warning that the world will end next Tuesday week. But I keep trying, because deliberate ignorance can be fought and defeated.

Russell Proctor   http://www.russellproctor.com

 

Unconditional Love – A Eulogy for Elaine Proctor

GetAttachment

Last Sunday (appropriately Valentine’s Day) my family had a Celebration of Life for my mother, Elaine Proctor. She died on 24 January 2016 from kidney cancer. She also had Alzheimer’s at the time which was considerably advanced. Initially diagnosed with four to six months to live, she went downhill very quickly and was dead within a month of diagnosis.

It wasn’t a thing she dreaded. Mum was happy to go. She was 87, had lived a good life and her Alzheimer’s had made her not want to continue. We respected her decision.

At her request, and our agreement, there was no funeral. not even at the crematorium. Mum didn’t want any fuss and certainly didn’t want anyone turning up in dark-coloured clothes all teary-eyed. She had told us well in advance that we were just to have a simple get-together of family and friends and have a few drinks.

So that’s what we did. A morning tea and a champagne toast. I gave the eulogy, and I thought in respect to my Mum and those who perhaps couldn’t make it, I’d put it here. So this is it:

When I sat down to write this eulogy, I wanted to be able to sum up Mum in a sentence, some concise few words that would embrace her essence, her character.

Eventually I came up not with a sentence but just two words: Unconditional Love.

Mum loved her family without question. She married a fantastic man who loved her just the same. In case you don’t speak French, the Edith Piaf song you heard at the start of this celebration , “La Vie en Rose”, is about how the love of a man and woman can make them both see the good things in life, see each other through rose-coloured glasses. That’s how Mum and Dad saw each other, through a filter of unconditional love. And we, her three sons, had the benefit of that love as well.

No matter what happened, Mum’s love was always there. She would stress over us, worry about us, try to solve our problems even when we didn’t want her to, correct our behaviour when she thought it necessary and always sought the best for us. Mum always had an opinion, but she was sometimes shy of expressing it to those outside the family or close friends. She was a woman of remarkable intelligence and ability, guided in all decisions by what she saw as the right thing to do.

I don’t know if many people knew it, but Mum kept a diary. It wasn’t a daily thing. Sometimes whole months or even years would go by without a record, but especially when we three kids were little, Mum recorded incidents and conversations which she felt summed up her family life at the time. She would show these to us, sometimes to our embarrassment, years later because she wanted to share those moments when we were too young to see the funny side.

So today, at the risk of embarrassing both myself and my brothers, and one or two other people present, I’m going to read some extracts from the early years. This then is the dark underbelly of the Proctor family during the 1950’s and 60’s.

Russell has six teeth and is crawling everywhere. I always grubby. We got the gates for the top of the stairs to keep Russell in. He promptly climbed to the top aged 8 1/2 months. He can say Dad Dad and click his tongue and never stops doing it. Such an accomplishment.

***

Jeremy and Susan [cousin] have had a field day with the car. One day’s haul was 3 rags, 2 pegs 3 ice cream sticks and a screw driver put down the petrol tank. Also on several days handfuls of dirt all over. They’ve also had my handfuls all over their respective bottoms.

***

Today Mark asked for 2 pounds of butter to hold so he could see how heavy they felt as baby polar bears always weighed 2lbs when they were born. This is the middle of the breakfast rush.

***

Tonight at dinner the children were playing guessing games. Jeremy said “Something small, beginning with ‘r’ and it lives under the water.” Russell said, “A hippopotamus.” :That’s close,” says Jeremy. “Actually it was a rabbit.”

***

Larry passed his exams and we are all pleased for him. Now we have had 5 months wonderful relaxation and he’s finding it hard to start study again. More exams in Sept. 2nd part DPM [Diploma of Psychiatric Medicine] as we have a wonderful offer of a year’s locum from Nev Parker.

***

Mark is a cub scout again and is loving it. He went to the pictures in town today by himself. I took all three on Tuesday toAlladin” and “Tarzan” and even though Russell did spend half the time among the ice cream cartons on the floor at least this time we stayed the distance.

***

Larry and I, or just Larry really, has to finance 39 years of school and university. Still, I guess we are spending our money on the best commodity available.

***

Mark loving Churchie [school]. Is captain of his football team and captain of his school class. This is his third term at Churchie. We are very proud of him.

***

The purpose of these extracts is simply to show that Mum’s family was the uppermost thing in her mind. That she wanted to be where she was, doing what she wanted. When we had grown up and fled the nest, Mum went to university to study sex therapy in order to help Dad in his career. Now she was able to earn extra income because she no longer had to look after us on a day to day basis.  She still found a way to help the family even when she didn’t really have to. She was a woman who saw the importance of a career. She’d had one before she was married, and she still wanted one afterwards.

That’s what Mum was like. She could have taken it easy, but she didn’t. Contributing to the family was always in her mind.

Neither Mum nor I are spiritual or religious. But one day, when I was still going to school, I asked her if there was a meaning to life. Why were we put on this Earth? And she came up with an answer I didn’t expect. She didn’t know about anyone else, she told me, but she was put on Earth to have the family she did. Three boys who would grow up as three very different individuals and do things that no one expected. In other words, her purpose in life was to give life. Both her own to her family, and to help create the family itself.

And the family wasn’t just her three sons. She had grandchildren, Alissa and Emma, and now great-grandchildren, Maya and Arielle, who are also part of Mum’s legacy.

So, Unconditional Love. That was Mum’s gift to us. Love to show us that giving to others, for others, was what made her happy.

It made us happy too.

I will miss the good times and the bad. I will miss Mum’s smile, the way she obsessed over Humphrey the Cat. I will miss how when I was in primary school I would read Winnie the Pooh stories to her while she cooked dinner. Many other things. But we three sons carry with us the memories that will never leave us. If we miss those things such as those incidents I read out from the diary, then it was our pleasure and privilege to have experienced them.

So what do we say as our final words to Mum? Good bye obviously, We Love you, certainly. But there is one other phrase that must be said.

Mum – Thank you.

 

 

The Stranger in Our House

THE STRANGER IN OUR HOUSE

 The day starts early,

Sweeping the kitchen floor

Because of the ants.

My mother is still asleep, but drenched in sweat,

When she wakes up I will help her out of bed

Despite the pain,

Strip her down,

Find a fresh nightgown for her,

Put her in the shower and see she doesn’t fall as she cleans herself.

 

I’ve already had breakfast,

So I make her some.

But she doesn’t eat it.

She’ll be dead soon, she says, so what’s the point?

 

The cat has been fed and watered,

So I put the laundry on,

Since her sheets needs washing after the night-bathe of sweat.

Dressing her takes a while

Because she can’t get her arms above her head,

Because of the pain,

Because the new underpants are the wrong colour.

 

I hang up the sheets,

Put her in front of the television after swallowing pills

And giving her a heat pack

Because of the pain.

Kneeling before her to tie the heat pack on is like doing worship.

 

She falls asleep in front of the television,

Which gives me a little while

To do the things that must be done

For me.

 

We spend the afternoon among her hallucinations,

Discussing her friends and our family,

Whose side am I on?

(I’ve no idea,

Since there are no sides.)

“I’m on your side, of course.”

She asks me why my mouth is black

(It isn’t, but this is her fantasy, remember)

So I wipe my mouth.

She wants to know why there were only six roses

On the cat’s grave.

(The cat is curled up asleep at her feet,

Alive and well.)

 

I make dinner, and she goes to bed early

As usual.

I keep her door open and the bathroom door and my own.

So she can wake me in the middle of the night

To help her out of bed.

 

At two o-clock we are awake again

Because her room is full of spiders

That aren’t there.

—Russell Proctor

http://www.russellproctor.com